Notes related to Museo de Arte Moderno

From White Plaster to Colorful Textiles, Dalila Puzzovio (1942, Buenos Aires) has always known how to appreciate broken bodies and dress the living. While some destroy, others build is the title of one of her photographs—a phrase that runs through her remarkable artistic career.

Valentina Quintero: A Day in the Life, the first institutional exhibition in Buenos Aires of the young artist from Mendoza, and Jorge Miño: The Fourth Wall, a proposal that redefines the relationship between photography and space, are exhibited at the Museo Moderno under the curatorship of Raúl Flores.

Within the walls of the Museum of Modern Art, dreams, stories, and ideas brought by Ofrenda still linger. Yet, even more present are the thoughts left suspended in the air by the audience.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

The Museum of Modern Art of Buenos Aires inaugurated El Aprendizaje Infinito (Infinite Learning), an exhibition that recognizes Argentina's master artists and puts in dialogue the historical tradition of arts education and the experimental projects of the latest decades.

The exhibition Danza Actual (Current Dance) at the Museum of Modern Art of Buenos Aires explores the importance of modern dance in Argentina. It is curated by Francisco Lemus.

Otumpa is the first exhibition of the artists Guillermo Faivovich and Nicolás Goldberg at the Museo Moderno in Buenos Aires, Argentina. Curated by Javier Villa.

Museo Moderno de Buenos Aires inaugurated Cultura Colibrí. Art and identity in the Argentine underworld of the 80s and 90s. With Fernando Noy as host artist, the exhibition is a chronicle of the sexual exiles during the last military dictatorship, the democratic recovery and the festive and countercultural experimentation of the 1980s and 1990s.

Museo de Arte Moderno de Buenos Aires presented Casa Alberto Heredia. Residencia de Artistas, the first artists’ residence of a public museum in Argentina.

Cien caminos en un solo día (One Hundred Roads in a Single Day) is the group exhibition staged by Luciana Lamothe at the Museum of Modern Art of Buenos Aires.

The exhibition Manifiesto verde (Green Manifesto) at the Museo Moderno de Buenos Aires takes its title from the declaration written in 1971 by artist Nicolás García Uriburu in which he expressed his desire to denounce the antagonism between nature and civilization.

In line with the Carbon Neutral 2050 Plan that brings together the main cities of the world –including Buenos Aires– the Museo de Arte Moderno measured its carbon footprint as a first step to know its environmental impact and begin to take measures to reduce it.

On Friday, June 9, 2023 Gallery returns to explore the art circuit in the neighborhoods of Recoleta and Retiro in Buenos Aires, Argentina. Microcentro will also be added.

The exhibition A 18 minutos del sol (At 18 Minutes from the Sun) at the Museo de Arte Moderno de Buenos Aires addresses astronomical observation and access to outer space as the key elements to activate a dialogue between artistic imagination and scientific exploration.